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welcome to the MUSIC-VIDEO section

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started to produce videos in early 1998, honeybird was my first one. camera, light, book and cut were plenty of work. al videos are in the .wmv format.

HONEYBIRD

when i made this first music-video, i had to obtain one of the first consumer video-cards, the matrox rainbow runner. in lack of a camera-man it was a hell of a job to stay in the center of the frame.

the song is about a boy, who meets a girl at a party, but he does not dare to say the first word. ------- produced 1998 with a vhs-camera

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Honeybird
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LET IT GO

yes, i wanted to look sexy, so i took off my shirt, positioned the camera against the window, and tried to look grim, to fit the deep voice. it was also no deal to find white and black underwear for my female model.

the lyrics are about an insane lolly-boy, who thinks that true love would be only possible if he and she would be all alone - 10 feet under the ground ------- produced 1999

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Let it go
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GOOD MORNING

i had so much fun with the color filters, that i used them over and over. durnig the cold outdoor takes during the winter, i always had my craphic cards in my hand.

mixing an electric guitar with a chello brought me the right mood of melancholy. it is the hopeful wish for the next spring, but winter will be long. ------- 1999 with a vhs-camera

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good morning
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DO YOU BELIEVE IN ROCK AND ROLL

peter hornek was producing music side by side with me for years. this video was made for one of the first song that never made it to the second sweet disaster cd.

it was quiet fun doing the takes as we could easily deal with our flat in the kaiser-franz-josef-street13 as our screenplay. -------

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rock and roll
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THERE AIN'T NO SWEET HEART LOVE, WHEN SHE IS GONE

i always love the contradiction of a severe male singer and a beatiful girl. but in the end she drives away anyway

alex sits at the drums and bernie can be seen at the guitar. instead of a guitar solo i decided to simply show a few guitar- o god a had so many!. ------- produced 1999 with a d8-camera

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ain't no sweet heart love
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THE LUMINANCE TRACE

the luminance trace is a cut of all my music videos up to that day. i turned in more and more video effects util the video get really messed up in the end.

t i produced the drum and bass style song for my girl, because she drove like a pro-racer - she stepped away really fast.

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the luminance trace
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FLY WIDE

this was my first 3d work on the computer. i modeled in 3dmax and put video and 3d content together in combustion. for me that meant work for weeks, and in the end i was nearly loosing patience, because of the many windows crashes. those were the days, when i nearly became a linux user.

the song is about a girl that lost her soul. as she will never touch the earth with her feet again, she flies over the land. - fly high, raven in rain -

coproduced by stigmedia

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fly wide, raven
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WHEN MY DAY IS OVER HERE

the story of a cute girl, that came into the arms of music-maniac peter hornek accidently. no big deal, lets make a pop-vixen out of her. and so it was, after spending 1 week at our studio appartement she began to sing. now people know her as subnee, but for me she will always be that little girl.

this song is still my favourite one, and was never released on a cd. to make the video takes, we simply took the getto blaster, and went to the "klosterwiese" in saggen, because there was a very mellow

music:peter hornek, lyrics:peter hornek, subnee

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when my day is over
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I AIN'T NO GUY, THAT GETS YOU WHEN YOU FALL

somebody always needs someone to lean on, but not this guy. that is at least, what he pretends to be.

but he is not the only one, she always seems to know, what she wants. and gets it.

i worked with color and black and white frames. ------- produced 2001 in the studio

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ain'nt no guy
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ETC...

our first french singer was raufast. she also wrote the lyrics for this song. she came to my studio at nine o'clock in the morning, we recorded and arrangened the song. at noon we took the video takes, and i did cut them and corrected the colors, so at midnight the video was ready.

this project would never have been finished without the help of gregor blösl, the project psyo ------- 2001

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etc
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WE WILL BE WINNING

we could not help making a boy-group like track and video. peter, the singer of funk generation.

as a location we chose the thaurer schlössl, where we poured a few liters milk over the poor boy.

screenplay and storyboard by christian lill. ------- music by peter hornek, singer

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winning
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UN GRIE

after the first takes subnee produced her first cd extravehiculaire. i had a small video studio in the cellar, wich never worked out as a blue box

frames out of this video were also used for the graphic work of the cd.

oh, i had so many problems with antialiasing. ------- produced 2000

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un grie
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GOOD MORNING MOON

the only track from "the urban horror requiem", wich made it to video. it was at the time, when i was just about to lose my belly and that would only work out with hard training.

the homeless lenny and his love, the cute luna girl have no place to stay, so every day they wake up early, to say good morning to the moon. - made 2001

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good morning moon
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SHE TOLD ME TO GIVE IT NICE

i had a woderful time with mona, when we were walking through the streets of LA. haven't met a lot of europeans in the u.s.a, this "münchner kindl" really was a good inspiration for me.

the song is about a girl, that is so special, that she can hardly deal with anyone. of course - she smokes cigars in the bathtube, and...is very beautiful. ------- produced 2001

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mona
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THE BARS OF PATTAYA (700kbit)

i came all the way from san francisco, to meet a new world in south east asia. being astounded by the amount of cuties there, i asked a few, to share my role in the takes for the new video.

doing lot of color correction and frame blending, this piece indeed was a lot of work.

------- camera: thomas pipp

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main
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THE BARS OF PATTAYA - DANCEFLOOR + SPECIAL FX(700kbit)

being impressed by all the new film releases with new effects, i also decided to release a version of the pattaya video with enhanced special video and audio effects.

it turned out to become a dancefloor, and lot of old film fx. those who like it may go on and make their own material look old. ------- produced 2002 with after fx, 3dmax, illusion, commo3

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main
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MAIN DE LA MAIN

mere de la mere, rue de la rue. subnee singt das ganze video hindurch französisch. dieses lied ist ebenfalls auf der extravehiculaire cd vertreten.

gefilmt wurde das ganze im turnsaal vom z6, und später durch etliche zeitlupen und farbfilter bearbeitet. -------

produced 2002

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main
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ICH BIN NICHT DIE LEBER VON DER GABI (414kbit)

nachdem die erste rohversion für so viel aufsehen gesorgt hat, hier die neue version und gleich als musikvideo.

da ja jeder mensch organe hat, und sie immer wieder spürt, ist dieses lied sozusagen zeitlos. vor- und nachspann sind ebenfalls mit viel liebe gebastelt worden. ------- produced 2002 with after fx, 3dmax, illusion, combustion

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main
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ABSOLUTELY NOTHING (refurbished)

this video was produced some time ago, and now finally got the permit for an internet release. harald krumboeck-camera, daniel cyo and thomas pipp directors, and stigmedia tom and daniel huber produced the audio track. a lot of color correction and fx.

somehow a bloody piece!

produced 2003

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main
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SAILORS IN THE MOON (446kbit)

nach den aufwendigen dreharbeiten auf der insel ko pan, in thailand waren wir alle ziemlich erschöpft. die genemigungen waren alle eingeholt, und wir hätten die hitze nicht ohne die kühlen drinks überlebt.

das equipment musste oftmals durch den urwald getragen werden, weil es zur anderen seite der insel keine strasse gab, und auch auf haie mussten die kameramänner im meer aufpassen. ------- produced 2003

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main
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video: sulinor music: sulinor and friends
Last modified: fri jan 24 13:19:53 CET 2003